Directing
http://www.youtube.com/watch?v=wNN6bMfUmJQ
Wednesday, February 23, 2011
You win some and you loose some....
When it comes to writing scripts there is a lot of advice out there. For me Blake Synder's "Save the Cat" is the screen writer's Bible/Handbook. I reference that book all the time and will continue to do so for years.
Here is the long and short of this post. I got fired from a writing job a few minute's ago. No matter what the circumstance it always sucks to get fired.
The reality is that I was doing ok and could have finished the project on time with what they wanted. The project was 3 weeks behind when I came on board, I got almost no producers' notes and stayed up for 36 hours writing the first draft to meet a deadline that was not my doing. I did the same thing with the second draft after getting a brutal critique from the professor. Oh, yeah I should mention that this is a short film project for a film school. My room mate asked me for help and so I tried.
The worst part is that I feel like I let my friend down. She had faith that I could write the hell out of this thing, and I apparently couldn't.
The best part of all of this is what I have learned.
I am reminded of how many no's I got producing for Josh. How many times people at different office's didn't even want to talk to me and some how I would get people that I had no right to talk to. Persistence, in my dad's words "keep on, keepin on".
Some of the Nuts & Bolts of the experience are that I learned:
Having said all of that I will connect the two scripts to this post and let you guys judge for yourselves.
Here is the long and short of this post. I got fired from a writing job a few minute's ago. No matter what the circumstance it always sucks to get fired.
The reality is that I was doing ok and could have finished the project on time with what they wanted. The project was 3 weeks behind when I came on board, I got almost no producers' notes and stayed up for 36 hours writing the first draft to meet a deadline that was not my doing. I did the same thing with the second draft after getting a brutal critique from the professor. Oh, yeah I should mention that this is a short film project for a film school. My room mate asked me for help and so I tried.
The worst part is that I feel like I let my friend down. She had faith that I could write the hell out of this thing, and I apparently couldn't.
The best part of all of this is what I have learned.
I am reminded of how many no's I got producing for Josh. How many times people at different office's didn't even want to talk to me and some how I would get people that I had no right to talk to. Persistence, in my dad's words "keep on, keepin on".
Some of the Nuts & Bolts of the experience are that I learned:
- When you take over a writing project get as many notes from the Producer as to what he want's BEFORE you write one word of the script.
- Have your team of readers ready, that is, people that you trust that are not connected to the project to read your work and give you feed back.
- When you get a hash critique there might be more to the story.
- When dealing with a harsh critique there is a technique to dealing with it.
- Read the notes, then respond naturally as though you where talking to that person. Write it down but DO NOT SEND IT! To anybody, this is about coping and learning.
- Give it time and don't write anything for a couple of days. Keep thinking about the project and let yourself have time to reflect on what each point of the critique actually meant.
- When you do go back and finally get ready to write it should be a couple of days later, and your mind set should be humble, hungry and ready to meet the challenge.
Having said all of that I will connect the two scripts to this post and let you guys judge for yourselves.
Subscribe to:
Posts (Atom)